DESCRIPTION
A curiosity.
Select pages from On the Origin of Species overlaid with images. Words and pictures drift in & out. A witty Los Caprichos aquatint by Goya; an anonymous depiction of the comet of 1664; but also drawings by Cindy Deachman, the artist who put this book together. Art, then science. Past, then present. All melds together in a poetic rendering of Darwin’s revolutionary classic.
BIOGRAPHY
Born 1954
Studied art at OCAD University & New School of Art, Toronto
Exhibited work in Ontario & Quebec
Published art/food/science mag Burnt toast (2003-7)
Not dead yet
When I was 11, I had an idea to snare rabbits in the neighbouring woods. Surprisingly, I managed to scrounge twine for a noose from the basement. Unfortunately though, the catching of rabbits came to nothing. So I turned to communicating with groundhogs instead, crouching, holding my breath, at the entrance to their holes.
At 12, I discovered that ants are like humans, both being social creatures and all. But when I watched those insects running around every which way, willy-nilly, I wondered. Should I really believe the myrmecologists?
Nowadays, I have dreams that put me to sleep, dreams about great mats of algae clamouring onto dry land. Once awake, I make stuff up. Ghostly Jimson weeds with white wax. Shadow boxes with mackerel skin. Each time I make something, I think I've nailed it—yes, this is what I meant to say. After that though, everything turns hazy and I'm left scratching my head. So I start all over again.